It seems that the success of Tom Hanks moving Greyhound has prompted a shift in thinking at Apple TV+. While big-name series were clearly always fundamental, sources told Fast Company that blockbusters are going are to be a much bigger focus going forward.

One source says the streamer is discussing plans to release a dozen new movies a year on Apple TV Plus, roughly one a month. Two to four of those would be blockbuster-type titles such as Greyhound and Emancipation, the runaway-slave thriller starring Will Smith and directed by Antoine Fuqua (Training Day) that Apple recently acquired for $120 million in a bidding war with Warner Bros., Universal, and other studios. Another source had fewer specifics but confirmed that Apple is telling Hollywood that it’s now in the market for more tentpole-like feature films. (Apple would not comment for this story.) Apple’s greater focus on big films marks a noticeable amplification on its movie front.

TikTok has been the focus of much political attention recently due its base in China and allegations (which it denies,) of data sharing with the Chinese state. The video-sharing app has said it will move its HQ, but it could even be bought by a U.S. firm. Music Business Worldwide offered a number of reasons why that company could, and maybe should, be Apple.

TikTok’s global addictive appeal is no accident. The app’s advanced artificial intelligence capabilities and powerful recommendation algorithms are key factors behind the 68 billion hours spent by its users in the app last year. Case in point: respected investor and tech industry commentator Connie Chan recently wrote a piece in which she called TikTok “the first mainstream consumer app where artificial intelligence is the product”… In an increasingly competitive music streaming market, with Apple Music’s primary rival Spotify known for excelling in content recommendation, TikTok’s AI baked into the the Apple Music ecosystem could be Spotify’s kryptonite.