As more and more streaming services come out, we are all picking our favorite. For Christine Chan at iMore, it’s Disney+, for the combination of nostalgia and original content.

Ever since Disney+ came out, I’ve been watching my favorite childhood classics, like The Little Mermaid (though I bought the 30th anniversary Blu-ray last year), and catching up on everything else that I hadn’t seen as I was growing up, like Bambi, Lady and the Tramp, and Sleeping Beauty (yes, yes, I know, shame on me). With Disney+, I’m able to relive my happy childhood memories with those animated classics, and sometimes, that’s all you need when the rest of the world can be a bit depressing.

I’ve generally been supportive of Apple TV+. I’ve even got on board with the weekly rollout of big shows, instead of having everything there for binge-watching. That strategy comes with one caveat though – new content needs to appear (almost) every week. However, as Cult of Mac noted, for the second week in a row there is nothing new today.

By comparison, this week Netflix debuted seven new series including Next In Fashion, Ragnarok, BoJack Horseman season six, and more. Disney+, meanwhile, got new episodes of Diary of a Future President, Marvel Hero Project, exclusive short Lamp Life, and the 2019 Lion King remake. As I’ve written before, I’m a big fan of Apple TV+ as far as quality goes. The service hasn’t had a miss yet — and it’s had quite a few hits. To me, Little America, Servant, and The Morning Show are all standouts. But even shows I wasn’t immediately won over by, such as See, are solid entertainment.

Amazon is the world’s most valuable brand, according to one analysis firm. Cult of Mac reported that it beat Apple and Google in the Brand Finance list.

The somewhat unorthodox ranking system looks at the world’s 500 most valuable brands across all sectors and countries. It then assigns a “brand value” based on a royalty rate that companies could get for licensing their name in the open market. Brand Finance compiles its annual list by estimating the royalty rate that would be charged to use a company’s brand. This takes into account current and expected future revenue. It’s a fairly complex methodology that’s explained in more detail here. As the firm explains: “Brand Finance helped craft the internationally recognised standard on Brand Valuation – ISO 10668. It defines a brand as a marketing-related intangible asset including, but not limited to, names, terms, signs, symbols, logos, and designs, intended to identify goods, services or entities, creating distinctive images and associations in the minds of stakeholders, thereby generating economic benefits.”